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2019 第一季駐村計畫 Seas「非言語溝通 Non-verbal Communication」-封面
  • 2019 第一季駐村計畫 Seas「非言語溝通 Non-verbal Communication」-相關圖片
  • 活動時間

    開始於2019-02-26~2019-03-17重覆於每週 二 ,三 ,四 ,五 ,六 ,日 11:00:00至18:00:00

  • 活動地點

    台北國際藝術村百里廳- 北平東路7號

  • 費用資訊

    免費

  • 活動場次

    此活動只有一個場次時間

2人已提醒
  • 主辦單位

    台北國際藝術村

  • 聯絡信箱

    alicechen@artistvillage.org

有人看過人氣 396

活動場次Event time

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沒有進行中的場次

日期 時間類型 地點 費用 通知
2019-02-26~2019-03-17 每週 二 ,三 ,四 ,五 ,六 ,日 11:00:00~18:00:00 台北國際藝術村百里廳

詳細介紹Intro

「非言語溝通Non-verbal Communication」-2019台北國際藝術村第一季駐村計畫 Season 1 Residency Artists Exhibition

在本次展覽中,非言語的聲響也能是訊息傳遞的方式,透過藝術家對人類的細膩觀察和聲音的紀錄,把日常的、意外的,看似沒有架構卻含有文化背景的聲音轉化為溝通的信息。或是透過鏡頭、裝置,聚焦台灣長照議題,紀錄外籍移工在不對等的言語和資訊交換之中,進行最親密的照護和陪伴。場景時空再轉移到2035年的香港,機器人與雇主間的對話模式,更帶出社會、家庭中的階級關係。

來自義大利的胡子哥,從人類學跨界藝術,曾任中研院的研究員,但不把自己侷限於論文研究方法的呈現,進而以視覺藝術的方式傳遞他的觀點。〈聆聽/意外〉透過藝術家的雙眼、雙耳去探索和感知台北,來自歐洲,但說著一口流利中文的他,將城市的縮影用聲音去編織,帶給觀者熟悉卻新鮮的社會互動。
 
日本藝術家原田賢幸,在他攝影鏡頭中的外籍看護,不識中文卻要負起照護責任,與雇主之間的磨合和了解,要懂得看臉色、聽得出旋外之音,但這一位位的看護,不也是雇主對自己父母的付出和擔憂,長照的矛盾和處境,從來無法得到正解。〈現在我們或許會擦身而過,但終將在未來相見〉場景從假日的台北車站到週邊公園的街口,紀錄外籍看護在台灣的神情,工作時的倦容、周末與同鄉相聚的笑靨,更勝語言能解釋現今社會的結構轉變。
 
施昀佑筆下的工具書系列第二冊2035年香港地區家用機器人使用手冊〉,邀請到香港作家謝柏齊、武漢漫畫家子杰共同製作。長期擁有幫傭文化的港都,人力被機器取代的今日,是否還存在同理或平等的意識。家庭中的權力關係對照這時期的香港,如何去擁有一台不諳世事的機器人,其使用手冊在虛構與現實交雜的語言下,建構出與觀者之間不同層面的溝通。

人的日常生活由頻繁的社會互動所構成,因此時時刻刻需要發出或接收非言語溝通。本次展覽也想傳達出溝通的多樣途徑,作品並不具有單一性的意圖和型態,具開放和實驗精神,也希望能激起不同觀點之間的碰撞和思考。

 

〈聆聽/意外〉胡子哥

藝術家自述/

〈聆聽/意外〉是由兩部作品組成,探索城市聲音的偶然美學和聲音撥放與聆聽的實踐。〈意外的聲音藝術〉由當地的音樂、聲響或是擴音機所撥放的廣告等聲音組成,這些城市中聲音的採樣,凝結了台北這座城市的公共空間。〈聆聽模式〉是用重製過後的便宜音響設備去播放現場的錄音和訪談,將人對於其聲音理解程度的限制與一般銷售通路常見的音響設備進行對比。

 

〈現在我們或許會擦身而過,但終將在未來相見〉原田賢幸

藝術家自述/

本次駐村計畫以台灣長照為主題,想了解在台外籍看護的現況以及和照護相關議題。相較於台灣,日本近年才開始開放外籍移工到日本進行看護工作,台灣的現況會不會是日本未來的模樣?而曾經有雇用過外籍看護的人又是怎麼看待外籍看護議題的呢?

透過問卷調查,以及實地採訪踏查,把我看見的、感受到的,轉化成藝術創作並實體化關於家庭關係與社會架構的改變。

 

2035年香港地區家用機器人使用手冊〉施昀佑

藝術家自述/

關於「2035年香港地區家用機器人使用手冊」,是由施昀佑和香港作家謝柏齊、武漢漫畫家子杰共同製作。這本手冊的文本脈絡是以謝柏齊撰寫的科幻小說「菩薩慈悲念念女身」為基礎,想像2035年的香港家家戶戶都有一台家用機器人,而這本書是機器人的組裝、操作說明書,以及相關管制品的申請流程。透過想像這台機器人的存在,藝術家希望能檢視香港在殖民史中的僱傭歷史、對疾病的恐懼,和社會中隱晦的階級關係。
 

「Non-verbal Communication」-2019 Season 1 Residency Artists Exhibition

"Non-verbal Communication" is a proper noun in social psychology, communicating with others by not using words. In this exhibition, the "non-verbal communication" can be the way of message transmission. The artists by delicate observation and sound recordings toward human beings focus on these daily and unexpected voices which might seem unstructured but contain full of cultural background that can be transformed into communicative information. Through the camera lens and device, the artist concentrates on the long-term care issue for elder people in Taiwan and recording welfare migrant workers in the most intimate care and companionship in the exchange for linguistic imbalance and information. Furthermore, the artist imagines the communication between robots and employers in Hong Kong in 2035 which bring out the class relations in society and family.

Gabriele DE SETA from Italy who not only specialize anthropology but crossover art also was a researcher at Academia Sinica. However, on presenting his research method (thesis), instead of using visual art as his way of expressing his statement. “Listening/Accidents” is an art piece about the exploration and perception of Taipei through the artist’s eyes and ears. The artist comes from Europe but speaks fluent Chinese, he is knit voice to display a microcosm city while making familiar but exotic interaction to the audience. Japanese artist Masayuki HARADA who through the camera to catch migrant workers’ daily life. Welfare migrant workers need to take care of their employers including immediate needs or some demands out of words even they cannot understand Chinese. Nevertheless, all these migrant workers can’t be justified due to the owner’s distribution and worries towards their parents. Long-term care’s contradiction and the situation can never be solved. “We may pass through them now, but we will meet to them in the future,” the scenes were set from Taipei Main Station to surrounding parks and streets, the artist records welfare migrant workers’ expression, such as their tiredness at work or happiness from gathering with their friends whose same nationality. All of these are far more explainable on the transformation of today’s social structure than spoken language. Yunyu Ayo SHIH created the second version of the reference book called “A Manual Book of Domestic Robot, Hong Kong, 2035.” which inviting Hong Kong writer Pak Chai and Wu Han comic artist June Lee jointly produced. Hong Kong has a long-term helper culture; however, labors have been replaced by machines today, then is empathy or equality still exists? In a family’s power relation comparing to Hong Kong nowadays, how is it to own a robot who’s not familiar with the ways of this world. Utilizing the manual within the language of mix imagination and reality to construct different levels of communication with the audience.

Our frequent social interaction is establishing by our daily lives which we need to send or receive non-verbal communication at all time. This exhibition expects to convey a variety of paths, the artwork does not represent single intention or type, it is open-minded and experimental but also hoping to stimulate collision and reflection between different viewpoints.

 

Listening/Accidents   

Gabriele De Seta

Artist Statement/

“Listening/Accidents” is a pairing of two works exploring the accidental aesthetics of urban sound and the situated articulation of listening practices. “Accidental Sound Art” offers a condensation of Taipei public spaces through a sampling of vernacular music reproduction, public audio devices, amplified advertisement, and sounding objects.

“Modes of Listening” repurposes cheap audio devices to play back field recordings and interview samples, contrasting situated understandings of listening with the limitations of consumer-grade sound equipment.

 

We may pass through them now. But we ‘ll meet in the future

Masayuki Harada

Artist Statement/

Artist Harada Masayuki from Japan, his residency project is focusing on foreign care workers and long-term caring. In contrast with Taiwan, Japan recent years has just started to let foreign care works can get a job in there. Will the situation now in Taiwan, becomes the future of Japan? Or how do the people that really hired foreign workers to think of? Through this questionnaire and having interview and research, the artist will visualize what he sees and feels. Trying to discuss the changes in the family relationship and social structure.

 

A Manual Book of Domestic Robot, Hong Kong, 2035

Yunyu Ayo Shih

Artist Statement/

About “A Manual Book of Domestic Robot, Hong Kong, 2035.” by Yunyu Ayo SHIH and Hong Kong Writer Pak Chai and Wu Han comic artist June Lee jointly produced. This book is based on Mr. Chai's novel “Mercy Buddha.” Chai imagined that there'll be domestic robots in every Hong Kong family in 2035. In this project, a manual book of how the robot being assembled, the operation process and how to apply for restricted functions. By imagining the existence of this robot, the artist hopes to look at Hong Kong's employment history, fear of disease, and hidden class relations in society.

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刊登單位Provider

財團法人台北市文化基金會藝術村營運部

財團法人台北市文化基金會藝術村營運部

聯絡人

孫育晴

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02-33937377 #107

聯絡信箱

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2019-09-17

06:59

Tue09.17

2019-09-16 ~ 2019-09-29

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