最終場倒數0
New Work Project | 新作輯 - 牛俊強 羅智信創作計劃-封面
  • New Work Project | 新作輯 - 牛俊強 羅智信創作計劃-相關圖片
  • New Work Project | 新作輯 - 牛俊強 羅智信創作計劃-相關圖片
  • 活動時間

    開始於2013-08-03~2013-09-0110:30:00至17:30:00

  • 活動地點

    鳳甲美術館-台北市北投區大業路166號11樓(地圖)

  • 費用資訊

    無須購票即可入場

  • 活動場次

    此活動只有一個場次時間

2人已提醒
有人看過人氣 1941

活動場次Event time

沒有進行中的場次

沒有進行中的場次

日期 時間類型 地點 費用 通知
2013-08-03~2013-09-01 固定每日進行 10:30:00~17:30:00 鳳甲美術館

詳細介紹Intro

從接收刺激,衝撞、拆解與重組,這連鎖效應是創作過程的必經之路。這使得我們更容易想像兩位藝術家在此創作計畫的交會點,自展覽名稱所開展詮釋權的混亂場景,並試圖藉其展示此計劃實驗的意圖: 「靈感存在嗎?」、「藝術家如何工作的?」、「藝術家自我的風格化過程重要嗎?其有無限制?」和「在藝術之外,各自關心的是什麼?」等等。

在幾次交鋒往來、各說各話、困頓磨合的對話後,定名為「新作輯」。

在「 New Work Project | 新作輯」裡面,兩位藝術家各自挑選了對方三件之前的作品,經過漫長的討論與溝通,與對彼此創作的瞭解,各自重新製作了對方的作品,一件件經歷保留、捨棄、再製轉化的「全新舊作」。在一個「計劃」的絕對前提之下,展覽本身便被賦予了穿透作品意涵的指令,直至散射出創作本身的光譜。
當觀者走進展覽時,將會看見12件作品,卻僅共享6個標題。
這些重新閱讀並再製的作品,產生的「新」作,是否只是轉換了材料和手法?或其中有更深層的訊息藉由另一位創作者挖掘並展現在觀眾面前?或者,在創作概念與內容的一致前提下,這兩件作品,是否真可能為「同一件」作品?

 New Work Project | Luo, Jr-Shin and Niu, Chun-Chiang

  From undertaking stimulation to collision, tumble and restructure, this chain effect certainly is considered as a part of the creative process. Imagine the chaos between two artists disputing the annotation rights for the ‘exhibition title’ in order to give out the best mutual concept to the viewers. By exchanging the projects to one and another, the potential notions including ‘Does the inspiration really exist?’ ‘How an artist performs their tasks?’ ‘Is it important for artists to stylize themselves throughout the process of creating? Are there any limitations?’ ‘What do we care other than arts?’...etc.

 Streaming through confrontations to countless argumentations, and turned out with different motions and opinions, the exhibition was named as “New Work Project.”

In the exhibition of “New Work Project,” two artists need to select three former artworks from the other for remodification. After a long discussion and communication in behalf of comprehending the opposite party, every piecemeal went through the faith of either withhold or discard, and then transformed into a  ‘New/Old Work.’ The precondition of one ‘project’ is to give the exhibition instruction to penetrate the meaning of the work until it exalted itself. In hence, the viewers will notice 12 workpieces with only 6 titles when they come to the exhibition. These were ‘anew’ creations with different materials and techniques from past time. Perhaps, there might be a deeper message within the works, which carry out by another artist, unfold in front of the viewers? Or is it possible that two artworks could truly become the same piece while the creative concept and subject are coherent to each other?

達人心得 / 攻略Experience

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刊登單位Provider

財團法人邱再興文教基金會

財團法人邱再興文教基金會

聯絡人

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02-28942272 #11

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主辦簡介

財團法人邱再興文教基金會於1991年成立後,除積極推動春秋樂集以鼓勵國內創作人才之專業發展外,繼而於1999年成立鳳甲美術館,以展覽、推廣活動與跨領域展演等方式,為在地社區群眾提專業優質的藝術欣賞環境、播撒藝術的種子。美術館開館至今已逾十四年,在2003年時正式掛牌成為文化部地方文化館的一員,也數次獲得文馨獎及台北文化獎的肯定。

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這週去哪玩

2019-08-25

13:49

Sun08.25

2019-08-26 ~ 2019-09-08

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